Air-Radiohead.com
AiR-RadioheaD.CoM => RADIOHEAD => Discussion démarrée par: hunting android le mer. 14 juin 2006, 11:38:38
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Radiohead in New York - Night 1 Live Report
Radiohead are back in the United States to finish up the North American tour. They played their first show in New York at the Madison Square Garden Theater tonight. This is the first of two sold out gigs in New York City, where Edward Norton was spotted in the audience. The band kicked off at 21:10 hrs (EDT) with 'You And Whose Army'. They finished off their 23 song set with 'How To Disappear Completely'. Thanks to Chrissy for the live updates from the venue.
Setlist:
01 You And Whose Army?
02 The National Anthem
03 2+2=5
04 15 Step
05 Morning Bell
06 Arpeggi
07 Videotape
08 Kid A
09 Fake Plastic Trees
10 Climbing Up The Walls
11 Nude
12 Bangers 'N Mash
13 Idioteque
14 There There
15 Street Spirit
16 Bodysnatchers
17 Lucky
Encore 1
18 I Might Be Wrong
19 Down Is The New Up
20 The Bends
21 Everything In Its Right Place ['Silent Night' intro by Thom]
Encore 2
22 House of Cards
23 How to Disappear Completely
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18 I Might Be Wrong
pffffffffff
ils en ont pas marre de celle la ?
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pas moi en tout cas! :glob:
j'espere bien qu'ils vont la jouer à RES
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pas moi en tout cas! :glob:
j'espere bien qu'ils vont la jouer à RES
mois sûr... en festoche, ils ont quand même moins de temps...
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tant qu'il garde street spirit sur le set list de RES,ça va être grandiose
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(http://www.ateaseweb.com/imgnews/newyork1.jpg)
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qu'elle est cet set list?
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celle d'hier soir.
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Concert du 14 sur Dime (http://www.dimeadozen.org/torrents-details.php?id=99893) !!! :huhu:
Recorder1
Master Audience Recording
Section 202 Row R, Seat 19
approximately 100 feet directly in front of stage-left PA speaker
Core Sound Cardiods > M-Audio Microtrack 24/96 >
16 bit 44.1 wav file > Soundforge > CDWave (tracking) > Flac
Frontend (level 7, align sector boundaries) > flac
recorded and edited by
danlynch 2006-06-14
Tracklist:
01 Intro/The Gloaming
02 The National Anthem
03 15 Step
04 Arpeggi
05 Kid A
06 Dollars And Cents
07 Videotape
08 Nude
09 I Might Be Wrong
10 Paranoid Android
11 Bangers 'n Mash
12 Pyramid Song
13 My Iron Lung
14 Bodysnatchers
15 Myxomatosis
16 No Surprises
17 Everything In Its Right Place
Encore 1
18 A Wolf At The Door
19 Down Is The New Up
20 Like Spinning Plates
21 Spooks
22 Idioteque
Encore 2
23 Just
24 The Tourist
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'tits extraits videos du 14, très très courts mais d'assez bonne qualité:
-Nude (http://www.yousendit.com/transfer.php?action=download&ufid=72EC7B30174F4CDE)
-Arpeggi (http://www.yousendit.com/transfer.php?action=download&ufid=1A24C8EA6666AF70)
-15 Step (http://www.yousendit.com/transfer.php?action=download&ufid=D230784116422BC2)
-Dollars & Cents (http://www.yousendit.com/transfer.php?action=download&ufid=B2E5510A2D11DCFD)
:jap:
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2006-06-13 ICI :D
http://bt.etree.org/details.php?id=26242
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merci hunting.
Euh c'est quoi ces fichiers (.shn)? C'est pas du flac... :hum:
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Non c'est un autre type de compression.
Moi j'utilise Shorten pour décompresser les fichiers SHN.
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Deuxième source pour le concert du 13 http://bt.etree.org/details.php?id=26260
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Deuxième source pour le concert du 13 http://bt.etree.org/details.php?id=26260
'tention: résolution: 24 bit, échantillonnage: 96KHz et Taille 2.21 Go!!!
euh... on fait quoi avec ça? un SACD, un DVD-A? :D
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Avec 2.21 Go, y a intérêt d'avoir un bon son ...
D'ailleurs quelqu'un sait quelle est la source qui a le meilleur son?
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Celle en SHN est pas mal, manque un poil d'aigus, mais à l'égalo ça
s'arrange facilement...
EDIT: la version 24/96 vaut pas le coup...
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2ème source (http://bt.etree.org/details.php?id=26283) pour le concert du 14 au Madison Square Garden. :D
Radiohead
6/14/2006
The Theater at Madison Square Garden
New York, NY
Taper: scb
Source: DPA (B&K) 4022s > Sound Devices 722 @ 24/96
722 > Apple MacBook Pro > Spark XL 2.8.2 (normalize, resample to 44.1khz, dither to 16 bit) > xACT 1.58 > shn
Location: Dead Center, about 20 feet from the stage
notes: This is a 16/44.1 copy for cd. The original 24/96 copy exists in flac format
compiled on 6/15/06 by scb
Et une petite review du New York Times pour le même soir:
Behind the Haze of Allegory, the Hard Glint of Technology
By NATE CHINEN
Published: June 14, 2006
Half a dozen songs into Radiohead’s show on Tuesday night in the Theater at Madison Square Garden, Thom Yorke rolled out a new lyric rooted in allegorical imagery. “When I’m at the pearly gates,” he sang, “this’ll be on my videotape.” Then, in his next breath: “When Mephistopheles is just beneath / And he's reaching up to grab me.”
The language was evasive, cryptic and archly literary, and the tone was ambiguous and anxious. In other words, it was a characteristic effort by Mr. Yorke. But within that haze there was the hard glint of something: a notion that even heaven could be mediated by technology, and well within the grasp of peril.
That’s not what you’d call a standard crowd-pleasing sentiment. But dystopian unease is to Radiohead what tumbling surf is to Dick Dale, and there were as many cheers for “Videotape” as there were for six other brand-new songs.
Judging by the applause, it’s safe to say that much of the audience was already familiar with this still-unreleased material from the currently unsigned band. Tracks have been surfacing on the web – thanks to technology a bit more advanced than videotape – since Radiohead began its current tour in Europe last month.
There was another, more important reason for the crowd response: “Videotape" was a gripping piece of music. It began austerely – Mr. Yorke’s quavering voice, a few major chords on the piano, a backwards-processed guitar – and gradually assumed the dimensions of a rock song. Its crescendo had a sense of lift and motion; surrendering to it felt like being pulled downstream.
Radiohead’s last album, 2003’s “Hail to the Thief,” was widely understood as a reconciliation of the band’s warring instincts. Ostensibly it was a return to guitar-driven rock after a pair of keyboard-heavy releases – “Kid A” and “Amnesiac” – that bent toward the ambient and abstract. But Tuesday’s concert supported the band’s conviction that it could be omnivorous, letting each side bleed into the other.
The new songs themselves were vivid proof. “Bangers and Mash” had a noisily aggressive thrust, the combined result of Jonny Greenwood and Ed O’Brien’s interlocking guitars, Colin Greenwood’s bass and an unrelenting drum part doubled by Phil Selway and, on a spare trap set, Mr. Yorke. As a rock tune, “Bodysnatchers” was even better, especially as it roared into the chorus. (It was also amusing to hear Mr. Yorke keening the line “I have no idea what I am talking about.”)
Sound has supplanted technique for the musicians in the band; or to be more precise, the manipulation of sound has effectively become a technique in itself. On more than one tune, Mr. Greenwood and Mr. O’Brien laid aside their guitars to squat at analog consoles, precisely shaping noise. In similar fashion, Mr. Selway blended his drumming with various electronic beats, erasing the distinctions between them.
But it was Mr. Yorke’s voice that inevitably carried the music, and one striking thing about the concert was how often he let it loose without guttural strangulation. That’s one reason why “Nude,” a new ballad, was gorgeous; during one soaring falsetto note, the band faded out, and the effect was angelic.
Of course the intent was exactly the opposite. Mr. Yorke’s last words in the song were, “You'll go to hell for what your dirty mind is thinking.” Once again he was suspended between extremes. And he seemed to revel in it, along with everyone else.